About Sarah Potenza
“I work for me,” Sarah Potenza declares at the beginning of Road to Rome, kicking off her second solo album — a record of self-empowered R&B, swaggering soul, and contemporary blues — with her own declaration of independence.
Filled with messages of self-worth, determination, and drive, Road to Rome shines new light on a songwriter whose career already includes multiple albums as front-woman of Sarah and the Tall Boys, a game-changing appearance on The Voice, and an acclaimed solo debut titled Monster. Released one year after she sang in front of 12 million people during The Voice‘s eighth season, 2016’s Monster prompted Rolling Stone to gush, “Potenza is to the blues what Adele is to pop: a colossal-voiced singer who merges her old-school influences with a modernistic sound.” Three years later, that sound deepens and intensifies with Road to Rome, an album that shows the full scope of Potenza’s aims and ambitions.
And just who is Sarah Potenza? She’s a songwriter. A bold, brassy singer. A businesswoman. A proud, loud-mouthed Italian-American from Providence, Rhode Island, with roots in Nashville and an audience that stretches across the Atlantic. Road to Rome spells it all out. Co-written by Potenza, produced by Jordan Brooke Hamlin (Indigo Girls, Lucy Wainwright Roche), and recorded with a female-heavy cast of collaborators, the album isn’t just her own story. It’s the story of all artists — particularly women, who remain the minority within the male-dominated music industry — who’ve learned to trust their instincts, refusing to let mainstream trends dilute their own artistic statements.
For Potenza, such lessons were learned during the writing sessions for Road to Rome, which took place aboard a cruise ship in the Caribbean, as well as at her home in East Nashville. It was during the cruise that she first began writing songs with Justin Wiseman, a piano player from Austin, TX. For years, she and her husband, Ian Crossman, had worked together as a duo, splitting their musical duties more or less equally, writing songs with guitar in hand, and merging their very different influences. This was something different, though — something about the piano that allowed Potenza the chance to rediscover her own voice, making an album whose unique approach to soul music was entirely her own. Although Crossman and Wiseman’s contributions as co-writers can be heard throughout Road to Rome‘s tracks, the album represents a strong shift in dynamic, with Potenza leading the charge.
When it came time to record Road to Rome at MOXE, Jordan Brooke Hamlin’s Nashville-area studio, Potenza looked to a wide range of musicians for influence. She turned to Whitney Houston. To Lauryn Hill. To Pops Staples, the Dirty Projectors, RL Burnside, Bette Midler, and more. Those artists gave her inspiration not only on a musical level, but on an emotional and thematic level, too. They were artists who spoke with conviction, chasing their own muses into unique, personalized territory. Potenza did the same, turning Road to Rome into an album filled with everything from the torch song balladry of “Earthquake” (a love letter to Crossman, thanking him for years of support ) to the funky fire of “Dickerson and Queen” (where Potenza howls, swoons, and croons over bass grooves and swirling organ, reminding everyone that, “I don’t give a fuck about nothing but the music”). She even makes room for a piano-propelled cover of “Worthy,” originally written by Grammy-nominated icon Mary Gauthier, who personally sent the song to Potenza.
Released on International Women’s Day 2019, Road to Rome is the sound of a songwriter taking the wheel and driving toward her own destination. This is Sarah Potenza’s strongest album to date: a battlecry from a soul singer and blues belter, shot through with pop melodies and rock & roll attitude.
Connect with Sarah
Get Seat(s) for Sarah Potenza
Saturday, March 28
DOORS OPEN AT 6:30 P.M.
MUSIC AT 8 P.M.
Sarah's payment for this event comes solely from ticket and merchandise sales. We don't pocket a penny (in fact, we eat the cost for credit card processing).
You must reserve your spot(s) to attend the event.
All seats are general admission.
When you buy or reserve seats on this site, we will add you to the guest list. You do not need to present a ticket to be admitted. But no one will be admitted at the door without first buying/reserving tickets from this page.
Reserve Seats for Sarah Potenza
Concert to Benefit North County Big Band
The North County Big Band gives students at schools that don't offer adequate programs a chance to learn with and perform in a group of talented young musicians.
The Sheldon Concert Hall -- one of St. Louis' great venues -- hosts practices and performances and top local professionals in as guests instructors.
Led by Harvey Lockhart, Director of Music Programs at Cardinal Ritter High School, The Sheldon's North County Big Band is made up of some of the most talented and dedicated students from several St. Louis area high schools. This year marks the band's sixth season, with coaching provided by leading educators and musicians including Lockhart, Alexis Adams and Delano Redmond, Sr.
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Please contact firstname.lastname@example.org if you're not receiving invitations you expect.
We're like a house concert -- only in a warehouse.
Like a house concert, our concerts are intimate events at which the audience and the artists are close to each other and interact. Guests arrive early for a pot-luck dinner, and many of our guests become regulars who connect with others in this growing community of music-lovers.
We're different than the typical house concert because...well...we don't host our concerts in a house. We've converted a corner of our warehouse into a 2,500 sq. ft. black-box event space -- great sound and lighting and a really cool vibe. We fill the space with sofas and easy chairs so it's like a giant living room.
You get the comfort, intimacy and community of a house concert. But the bigger room allows us to invite more guests and offer artists a well-deserved, great pay day.
Unless otherwise noted in the posted event details, doors open at 6:30 and music starts at 8 p.m.
Medici MediaSpace is our partner, sponsor and host. Medici is a fantastic co-working community -- inclusive, creative, diverse, funky, forward-thinking. When we came up with the idea for (ware)HOUSE Concerts and asked the leaders of Medici whether we could host them there, they said, "YES! Go for it." Medici is filled with people who come up with big ideas and work with others in the community to make them happen. "Yes! Go for it" is a common refrain here.
No. All seating is general admission. When the doors open (usually) at 6:30 p.m, guests are allowed to save their seat. But you don't reserve a certain seat when you buy your ticket.
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The (ware)HOUSE has seating for up to 120 guests.
Most of the artists we've booked fall into the "Americana" genre. We've also booked jazz and soul artists. Most of them are touring artists who are not from the St. Louis area. Our desire is to bring to St. Louis artists whom you otherwise might not get to see -- at least not in such a comfortable, intimate setting. We occasionally book local artists, too.
Here's a list of previous (ware)HOUSE performers.
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Yes. For every (ware)HOUSE concert, we choose a nonprofit to highlight and help. When you buy a ticket, we will ask you to consider an optional donation to support the nonprofit. At most concerts, representatives from the nonprofit will be there to spread the word and collect donations. See below for more information...
That's up to the artist who is performing. Most artists are OK with that. Some are OK with photos but not videos. We'll tell you before the show starts.
CONCERTS FOR A CAUSE
For every (ware)HOUSE concert, we choose a nonprofit to highlight and help. When you buy a ticket, we will ask you to consider an optional donation to support the nonprofit. At most concerts, representatives from the nonprofit will be there to spread the word and collect donations.
Here are the causes we've supported so far...